UA-23068167-1

Tag Archives: future soul

James Tillman – Silk Noise Reflex

James Tillman – Silk Noise Reflex

Silk Noise Reflex is the first full length offering from soul crooner James Tillman.

The New York–based artist’s delivery is just as smooth as the EP he released several years ago entitled Shangri La.

With Silk Noise Reflex, Tillman effortlessly crafts beautiful music over soft delicate tones.

The debut contains the fingerprints of many talents—Beau Sorenson (Death Cab for Cutie, Garbage), who mixed it, Carlos Arredondo (Deerhoof), who mastered it, and the incomparable Merrill Garbus of tUnE-yArDs, who served as executive producer.

Tillman’s debut album, Silk Noise Reflex, Is sleek and polished, but human and feeling. The mood is effortless, though seems achieved through some sort of songwriting secret. The variety of influences is easy to hear, but how they work together so well is complex. A meeting of jazz, hip-hop, soul, R&B, psychedelia, and so much more, its cohesiveness is a testament to Tillman’s songwriting prowess and his vocal skill.

Hop on over to Tllman’s Bandcamp page for the download.

Grab your favorite libation, relax and listen to the Silk Noise Reflex. Enjoy!

https://jmtill.bandcamp.com/

Read More

Solange is Winning With A Seat At The Table

Solange is Winning With A Seat At The Table

A Seat At The Table, Beginning Stages is a look at the early days of jam sessions, experimentation, and the exploring of sounds and ideas for the album.

While some of the jam sessions featured did not make the album, they helped to create and identify the sonic tone, and the early lyrics and concepts I wrote for the project.

This video is broken up into 3 different parts. The first and second parts happened in Long Island and New Orleans where I first started to jam and collaborate on ideas with the incredible artists and musicians featured (as well as some other incredible artist and musicians who are not shown here). A lot of these days would just start with me singing a melody or someone playing a synth part or bass line, and would transition into an hour long jam.

The third part is me taking all of these jams to New Iberia, LA with just my engineers and creating the actual song structures, building the sounds, and writing the lyrics and melodies.

I later took these songs to Los Angeles to work with Raphael Saadiq to help amplify the production, as well as record the vocals alongside Troy Johnson. When I look back at the beginning stages, I remember the powerful energy that set the tone, and that I’m so grateful followed us everywhere during the creation of this record.”

Read More